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/Title (and/and/and - reading and thinking hypertext: an interview with J. Yellowlees Dougles)
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/Subject (J. Yellowlees Dougles, Director of the William and Grace Dial Center for Written and Oral Communication and Assistant Professor of English at the University of Florida, has been researching and writing on social construction of digital technologies and on hypertext focusing on the the applicability of literary theory, narratology and aesthetics to hypertext environments. In her essay "How do I stop this thing" \(1994\) she discusses the effect of hypertext's displacement of closure on the act of reading with special regard to Michael Joyce's "Afternoon". Her recent book "End of Books or Books without End" \(2000\) - "A classic of hypertext theory and criticism" \(Jay David Bolter\) - examines how interactive fiction works, takes a careful look at the state of hypertext criticism today, and suggests how the future development of interactive narratives relate to the New Realism. \(see extended abstract, order from Eastgate Systems\). Roberto Simanowski talked with her about satisfactions and limitations of hypertext, about its three paradoxes, and about her hyperfiction "I Have Said Nothing".)
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J. Yellowlees Dougles, Director of the William and Grace Dial Center for Written and Oral Communication and Assistant Professor of English at the University of Florida, has been researching and writing on social construction of digital technologies and on hypertext focusing on the the applicability of literary theory, narratology and aesthetics to hypertext environments. In her essay "How do I stop this thing" (1994) she discusses the effect of hypertext's displacement of closure on the act of reading with special regard to Michael Joyce's "Afternoon". Her recent book "End of Books or Books without End" (2000) - "A classic of hypertext theory and criticism" (Jay David Bolter) - examines how interactive fiction works, takes a careful look at the state of hypertext criticism today, and suggests how the future development of interactive narratives relate to the New Realism. (see extended abstract, order from Eastgate Systems). Roberto Simanowski talked with her about satisfactions and limitations of hypertext, about its three paradoxes, and about her hyperfiction "I Have Said Nothing".
Roberto Simanowski
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