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/Title (The mapping of 500 DAYS OF SUMMER: A processual approach to cinematic cartography)
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/Subject (In this paper, I engage in a cartographic analysis of 500 DAYS OF SUMMER. I use the concepts of the map and tour and relate them to cartography as representation and practice. Where a focus on cartography as a representation enhances a textual analysis of a film, cartography as practice emphasises the map production process. Central to the map production process is geocoding, ground truthing, and indexing. Finally, this paper offers a cartographic tour of the film that provides an example of how a processual approach to cinematic cartography can be put into practice to produce an affective geovisualisation.)
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In this paper, I engage in a cartographic analysis of 500 DAYS OF SUMMER. I use the concepts of the map and tour and relate them to cartography as representation and practice. Where a focus on cartography as a representation enhances a textual analysis of a film, cartography as practice emphasises the map production process. Central to the map production process is geocoding, ground truthing, and indexing. Finally, this paper offers a cartographic tour of the film that provides an example of how a processual approach to cinematic cartography can be put into practice to produce an affective geovisualisation.
Chris Lukinbeal
application/pdf
The mapping of 500 DAYS OF SUMMER: A processual approach to cinematic cartography
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2020-11-22T11:04:01+01:00
cartography,cinema,mapping,topology,tour,Kartografie,Kino,Topologie
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