2024 - # 14 Doing Documentation

Eds.: Annet Dekker & Gabriella Giannachi, Editorial staff: Franz Anton Cramer, Annet Dekker, Gabriella Giannachi, Barbara Büscher, René Damm

Browsing 2024 - # 14 Doing Documentation by Author "Dekker, Annet"

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  • Article
    Doing Documentation. Editorial
    Dekker, Annet; Giannachi, Gabriella (2024) , S. 1-4
    Documentation is a burgeoning field that has been explored by researchers in a range of disciplines and practices, including performance, theatre, film, music, opera, digital and new media arts, archival and museum studies, conservation, curation, and human computer interaction. Methods have varied significantly across these fields, though the increased popularity of performative and digital practices has tended to bring disciplinary approaches closer together. More and more commonly do artists, researchers, and cultural organisations document not only the reception or user experiences of an artwork, but also its creation (even retrospectively) and iterative development over time, offering detail about a given artwork’s context, convergence, and even deterioration. Here, we chose to bring together a series of researchers from different disciplines spanning music, conservation, curation, film, festivals, video games, digital art, and installation art to map the very latest trends in their respective fields which they chose to discuss through a series of case studies focussing on specific museums, artworks, festivals and conservation practices.
  • Article
    Tracing the Cultural Value of Photographic Documentation in, and beyond, the Museum
    Dekker, Annet; Sluis, Katrina; Tedone, Gaia (2024) , S. 1-12
    In order to trace the shifting cultural value(s) of photographic documentation, in this paper we present selected outcomes of a series of workshops hosted by The Photographers’ Gallery, London (TPG),which developed around the question: How can institutions engage with this expanded field of visual documentation, and what are the implications for art history and cultural memory? In the paper we consider the ways in which documentation is diffused, operationalized and valorized by different agents in contemporary visual culture.