2019 | 1

Browsing 2019 | 1 by Subject "ddc:791"

Now showing 1 - 5 of 5
  • Article
    Constructing Space, Changing Reality of Israel through Film
    Radovic, Milja (2019) , S. 105-123
    This paper investigates the ways in which filmmakers through cinematic space frame reality, mediating the issues of conflict and reconciliation, religion and identity(ies) within Israel. Cinematic space depicts and expresses borders through elements of film language, such as mise-en-scène, montage and the disruption of temporal reality. By (re) framing meanings cinema questions existing socio-political realities, and their impact on the individual or whole communities. The microcosmic realities which constitute different communities within Israel’s wider socio-political reality are built and confronted through the cinematic space. The cinema thus becomes a site through which existing realities are reflected and new realities are constructed, opening up possibilities for transformation. In other words, how film frames an ‘alternative reality(ies)’ is a question related to the construction of space, which will be addressed in this paper. The paper focuses on two films: WEST OF THE JORDAN RIVER (Amos Gitai, 2017) and GEULA (Joseph Madmony, Boaz Yehonatan Yacov, 2018). I juxtapose these two diametrically different films in order to assess the ways in which the cinematic space functions as a direct site for negotiating the identities, religious belonging, and the different communities’ relation to the geographical space of Israel. The analysis of these two films aims to ‘sharpen the focus’ on cinematic space as a continuum in which such complex realities are expressed, renegotiated, and transformed.
  • Review
  • Review
    Film Review: First Reformed (Paul Schrader, US 2017)
    Lorenz, James (2019) , S. 139-143
  • Article
    The Historical Jesus and the Christ of Early Cinema: A Complicated Relationship
    Facchini, Cristiana (2019) , S. 69-85
    When at the onset of the twentieth century, the influential German theologian Albert Schweitzer published a historiographical account of the ‘historical Jesus’, a discrete number of silent films devoted to the life and death of Christ had already appeared in Europe and the United States. This article analyses the rise of early silent films about Christ against the backdrop of the debate enhanced by the rise of the ‘historical Jesus’, presenting some of the relevant similarities and divergences that representations of the life of Jesus produced through different media and within an increasing relevance of mass culture.
  • Article
    The Soundscape of Pier Paolo Pasolini’s: The Gospel According to St. Matthew (1964)
    Martellozzo, Nicola (2019) , S. 87-101
    IL VANGELO SECONDO MATTEO (1964), by the Italian film director Pier Paolo Pasolini, is one of the most interesting and widely acclaimed film representations of the life of Jesus. Its reception in the Catholic world has reflected the alternating fortunes of Pasolini himself, but over the years critics have come to fully appreciate its merits. While the director made faithful use of the dialogues in the Gospel, he constructed a new – but plausible – imagination, or “architecture of reality”, based on an intertextual code with intersecting pictorial, architectural, biblical and sound references. This essay aims in particular to employ a semiotic approach to analyse the musical motifs in the film, and the way in which they convey precise meanings and values to the viewer about the figure and life of Jesus. Songs and musical compositions are leitmotifs that punctuate the narrative, interweaving with the visual component to form a full-blown language in its own right.