2019/2 — #Gesture
Features:
Editorial NECSUS
S. 1-3
At the threshold into new worlds: Virtual reality game worlds beyond narratives
S. 5-23
(Un)Frozen expressions: Melodramatic moment, affective interval, and the transformative powers of experimental cinema
S. 25-47
‘The refugee is … FOOD FOR BIOPOLITICS’: Critical knowledgescapes in Ursula Biemann’s CONTAINED MOBILITY and X-MISSION
S. 49-69
Iconomy of the derivative image: Effacing the visual currency in Société Réaliste’s THE FOUNTAINHEAD
S. 71-90
Mid-twentieth century radio art: The ontological insecurity of the radio text
S. 91-111
Special section: #Gesture
On gesture, or of the blissful promise
S. 113-128
The autistic gesture: Film as neurological training
S. 129-148
‘Pure gesturality’: Exploring cinematic encounters through exotic dancing
S. 149-168
The filmed body and the cinematic gesture: Zoe Beloff’s revisions
S. 169-188
Drawing light: Gesture and suspense in the weave
S. 189-211
(Not) doing it for the Vine: #Boredom Vine videos and the biopolitics of gesture
S. 213-233
Touchscreens, tactility, and material traces: From avant-garde artists to Instagram ASMRtists
S. 235-262
Selfie-screen-sphere: Examining the selfie as a complex, embodying gesture
S. 263-283
Festival reviews:
Film diplomacy in action at the 23rd Boston Turkish Festival: A critical look at immigrants efforts to promote Turkish culture
S. 285-297
Reflections on Montreal’s Elektra festival, its twentieth edition, and the exhibition of digital media art
S. 299-308
Fields of Loves: Historicising and defining (French) queerness
S. 309-314
Exhibition reviews:
Blackout / IFFR
S. 315-320
Both inside the circle and out: Béla Tarr’s MISSING PEOPLE at the Vienna Festival
S. 321-331
Book reviews:
Media Experiences / Popularizing Japanese TV
S. 333-340
Pinpointing the ‘cinematic’ in twenty-first century art: ‘Dreamlands’ / ‘On Desire’
S. 341-350
Female Authorship and the Documentary Image / Female Agency and Documentary Strategies
S. 351-359
Audiovisual essays:
Gesture and videographic writing: Manifesting the ‘in between’
S. 361-364
Gesture in A WOMAN UNDER THE INFLUENCE, a charting of relations
S. 365-370
The Mighty Maestro on Screen
S. 371-374
Hands, Up
S. 375-376
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