Article: Questions of embodied difference – Film and queer phenomenology
Abstract
A phenomenological description of the cinematic situation considers the film as a lived body. Just as the human lived body forms the basis for intentionality, perception, expression and action in the world, the film’s body – its technological and instrumental dimension – forms the basis for the films perceptual and expressive engagement with the world. Technological methods and processes thus correlate with modalities of thought and consciousness.
Preferred Citation
BibTex
Lindner, Katharina: Questions of embodied difference – Film and queer phenomenology. In: NECSUS. European Journal of Media Studies, Jg. 1 (2012), Nr. 2, S. 199-217. DOI: http://dx.doi.org/10.25969/mediarep/15056.
@ARTICLE{Lindner2012,
author = {Lindner, Katharina},
title = {Questions of embodied difference – Film and queer phenomenology},
year = 2012,
doi = "\url{http://dx.doi.org/10.25969/mediarep/15056}",
volume = 1,
address = {Amsterdam},
journal = {NECSUS. European Journal of Media Studies},
number = 2,
pages = {199--217},
}
author = {Lindner, Katharina},
title = {Questions of embodied difference – Film and queer phenomenology},
year = 2012,
doi = "\url{http://dx.doi.org/10.25969/mediarep/15056}",
volume = 1,
address = {Amsterdam},
journal = {NECSUS. European Journal of Media Studies},
number = 2,
pages = {199--217},
}
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