Article:
«Der Mechanismus der Korrespondenzen». André Breton, der Nachkriegssurrealismus und die Filmtheorie

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dc.creatorNoheden, Kristoffer
dc.date.accessioned2020-08-17T12:05:07Z
dc.date.available2020-08-17T12:05:07Z
dc.date.issued2017
dc.identifier.doi10.25969/mediarep/14344
dc.identifier.urihttps://mediarep.org/handle/doc/15315
dc.identifier.urihttps://www.montage-av.de/pdf/2017_26_1_MontageAV/montage_AV_26_1_2017_149-166_Noheden_Breton_und_die_Filmtheorie.pdf
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:0942-4954
dc.relation.ispartofseriesmontage AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectFilmtheoriede
dc.subjectSurrealismusde
dc.subject.ddcddc:791
dc.subject.personAndré Breton
dc.title«Der Mechanismus der Korrespondenzen». André Breton, der Nachkriegssurrealismus und die Filmtheoriede
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T04:50:14
local.identifier.firstpublishedhttps://www.montage-av.de/pdf/2017_26_1_MontageAV/montage_AV_26_1_2017_149-166_Noheden_Breton_und_die_Filmtheorie.pdf
local.source.epage166
local.source.issue1
local.source.issueTitleStreams und Torrents
local.source.spage149
local.source.volume26
local.subject.gndhttps://d-nb.info/gnd/118515187
local.subject.wikidatahttps://www.wikidata.org/wiki/Q161955

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26/1/2017 Streams und Torrents