Article:
Picture Genesis and Picture Concept

dc.creatorMaurer, Dieter
dc.creatorRiboni, Claudia
dc.creatorGujer, Birute
dc.date.accessioned2021-08-04T15:14:15Z
dc.date.available2021-08-04T15:14:15Z
dc.date.issued2009
dc.description.abstractThe phenomenological findings presented in the first article, "Early Pictures in Ontogeny", suggest theses relating to the definition of the picture, including its genetic character. These theses centre around scepticism about the view that copy and convention represent primary bases for twodimensional products of no physical use, and that their own qualities were of either a material or ›merely‹ motoric or ›merely‹ sensory nature. Our propositions insist on the genetic and – even though not exclusively – universal character of early graphic products, and also their quality of having to be understood as two-dimensional phenomena, which means that they cannot be completely described as material or motoric or sensory. [English version of the article „Bildgenese und Bildbegriff“ from the same issue]en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/16621
dc.identifier.urihttps://mediarep.org/handle/doc/17510
dc.languageeng
dc.publisherHerbert von Halem
dc.publisher.placeKöln
dc.relation.isPartOfissn:1614-0885
dc.relation.ispartofseriesIMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subjectBildtheoriede
dc.subjectSemiotikde
dc.subjectimage theoryen
dc.subjectsemioticsen
dc.subject.ddcddc:791
dc.titlePicture Genesis and Picture Concepten
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-08-04T17:27:56
local.identifier.firstpublishedhttp://www.gib.uni-tuebingen.de/image/ausgaben-3?function=fnArticle&showArticle=143
local.source.epage41
local.source.issue1
local.source.issueTitleHeft 9
local.source.spage34
local.source.volume5

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