Article:
«The world was like a faraway planet to which I could never return». Die Subjektkonzeption der Voice-over in Terrence Malicks BADLANDS

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dc.creatorHaeseli, Christa M.
dc.date.accessioned2018-09-20T15:06:41Z
dc.date.available2018-09-20T15:06:41Z
dc.date.issued2006
dc.identifier.doi10.25969/mediarep/255
dc.identifier.urihttps://mediarep.org/handle/doc/837
dc.identifier.urihttps://www.montage-av.de/pdf/152_2006/152_2006_Christa_M_Haeseli_Die-Subjektkonzeption-der-Voice-over.pdf
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:0942-4954
dc.relation.isPartOfdoi:http://dx.doi.org/10.25969/mediarep/257
dc.relation.ispartofseriesmontage AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation
dc.rightsIn Copyrighten
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subjectHomodiegetischer Erzählerde
dc.subjectKörperlichkeitde
dc.subjectStimmede
dc.subject.ddcddc:791
dc.subject.personTerrence Malick
dc.subject.workBADLANDS
dc.subject.workBADLANDS – ZERSCHOSSENE TRÄUME
dc.title«The world was like a faraway planet to which I could never return». Die Subjektkonzeption der Voice-over in Terrence Malicks BADLANDSde
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationHaeseli, Christa M. (2006): «The world was like a faraway planet to which I could never return». Die Subjektkonzeption der Voice-over in Terrence Malicks BADLANDS. In: montage AV 12(2), 115-134. DOI: http://dx.doi.org/10.25969/mediarep/255.
dspace.entity.typeArticleen
local.coverpage2021-05-29T04:32:22
local.identifier.firstpublishedhttps://www.montage-av.de/pdf/152_2006/152_2006_Christa_M_Haeseli_Die-Subjektkonzeption-der-Voice-over.pdf
local.source.epage134
local.source.issue2
local.source.spage115
local.source.volume15
local.subject.gndhttps://d-nb.info/gnd/128538805
local.subject.wikidatahttps://www.wikidata.org/wiki/Q215478
local.subject.wikidatahttps://www.wikidata.org/wiki/Q799202

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