Das leere Kino. Zur Ästhetik des Films in der Fotografie

Article:
Das leere Kino. Zur Ästhetik des Films in der Fotografie

dc.creator	Kö, Georg
dc.date.accessioned	2020-07-27T12:47:03Z
dc.date.available	2020-07-27T12:47:03Z
dc.date.issued	2014
dc.identifier.doi	10.25969/mediarep/13914
dc.identifier.uri	https://mediarep.org/handle/doc/14864
dc.identifier.urn	urn:nbn:de:hbz:6:3-2014100741
dc.language	deu
dc.publisher	transcript
dc.publisher.place	Bielefeld
dc.relation.isPartOf	issn:2197-9103
dc.relation.ispartofseries	Zeitschrift für Kulturwissenschaften
dc.rights.uri	https://creativecommons.org/licenses/by-sa/4.0/
dc.subject	Kino	de
dc.subject	Theorie	de
dc.subject	Fotografie	de
dc.subject	Film	de
dc.subject.ddc	ddc:770
dc.subject.ddc	ddc:791
dc.subject.person	Hiroshi Sugimoto
dc.title	Das leere Kino. Zur Ästhetik des Films in der Fotografie	de
dc.type	article
dc.type.status	publishedVersion
dspace.entity.type	Article	en
local.coverpage	2021-05-29T06:18:10
local.identifier.firstpublished	urn:nbn:de:hbz:6:3-2014100741
local.source.epage	81
local.source.issue	2
local.source.issueTitle	Vorstellungskraft
local.source.spage	61
local.source.volume	8
local.subject.gnd	https://d-nb.info/gnd/119225743
local.subject.wikidata	https://www.wikidata.org/wiki/Q919236

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