Article: Movie Theatre(s) of Memory: Audiovisual Traces, Reenactment and Remediation in CINE MARROCOS (BR 2018)
Abstract
Once a host of Brazil’s first international film festival, Cine Marrocos is now a squat. Together with its inhabitants, filmmaker Ricardo Calil goes on an audiovisual search for traces: What traces does such a festival leave behind? And how can we make them visible and reinterpret them? This article explores the question of how reenactment and remediation can be used to (re)read and (re)write existing, but also new audiovisual traces.
Preferred Citation
BibTex
Krämer, Marie: Movie Theatre(s) of Memory: Audiovisual Traces, Reenactment and Remediation in CINE MARROCOS (BR 2018). In: Research in Film and History, Jg. (2022), Nr. 4, S. 1-14. DOI: http://dx.doi.org/10.25969/mediarep/18101.
@ARTICLE{Krämer2022,
author = {Krämer, Marie},
title = {Movie Theatre(s) of Memory: Audiovisual Traces, Reenactment and Remediation in CINE MARROCOS (BR 2018)},
year = 2022,
doi = "\url{http://dx.doi.org/10.25969/mediarep/18101}",
address = {Bremen},
journal = {Research in Film and History},
number = 4,
pages = {1--14},
}
author = {Krämer, Marie},
title = {Movie Theatre(s) of Memory: Audiovisual Traces, Reenactment and Remediation in CINE MARROCOS (BR 2018)},
year = 2022,
doi = "\url{http://dx.doi.org/10.25969/mediarep/18101}",
address = {Bremen},
journal = {Research in Film and History},
number = 4,
pages = {1--14},
}
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