Article:
The impersonal essay, or Montage as memory of the world

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dc.creatorTorlasco, Domietta
dc.date.accessioned2023-01-26T09:53:47Z
dc.date.available2023-01-26T09:53:47Z
dc.date.issued2022
dc.description.abstractThe audiovisual essay has been conventionally associated with the subjective and the personal. On the other hand, this introduction makes a case for the adoption of an ‘impersonal’ voice or viewpoint as a tactical response to the overvaluation of the self that pervades our current media economy.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19181
dc.identifier.urihttps://necsus-ejms.org/the-impersonal-essay-or-montage-as-memory-of-theworld/
dc.identifier.urihttps://mediarep.org/handle/doc/20352
dc.languageeng
dc.publisherNECS
dc.publisher.place
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS_European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectaudiovisual essayen
dc.subjectimpersonalen
dc.subjectmemoryen
dc.subjectmontageen
dc.subject.ddcddc:791
dc.subject.ddcddc:300
dc.titleThe impersonal essay, or Montage as memory of the worlden
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2023-01-27T13:42:02
local.identifier.firstpublishedhttps://necsus-ejms.org/the-impersonal-essay-or-montage-as-memory-of-theworld/
local.source.epage256
local.source.issue2
local.source.issueTitle#Materiality
local.source.spage249
local.source.volume11

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