Article:
Aligning Participation with Authorship: Independent Transmedia Documentary Production in Norway

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dc.creatorKarlsen, Joakim
dc.date.accessioned2020-08-24T13:26:15Z
dc.date.available2020-08-24T13:26:15Z
dc.date.issued2016-12-31
dc.description.abstractIncentives to develop non-fiction transmedia projects have recently challenged the work practices of independent documentary filmmakers in Norway. However, research on documentary films has only minimally captured the emerging practice of making non-fiction transmedia. Based on an interview study undertaken in 2012/2013 and reflections on contributing to a recent non-fiction transmedia project, I find that the emerging practice faces many of the same challenges as the participative documentary practice of the 1970s, mainly that the facilitation of audience participation requires a break from the broadcasting logic of independent documentary film work.en
dc.identifier.doi10.18146/2213-0969.2016.jethc111
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14717
dc.identifier.urihttps://mediarep.org/handle/doc/15692
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectart worldsen
dc.subjectpracticeen
dc.subjectindependent documentary filmen
dc.subjectparticipative documentaryen
dc.subjectnon-fiction transmediaen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleAligning Participation with Authorship: Independent Transmedia Documentary Production in Norwayen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:09:31
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2016.jethc111
local.source.epage51
local.source.issue10
local.source.spage40
local.source.volume5

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2016 | 10 | Non-fiction Transmedia