Article:
The Tamil Language as More Central than Even the Gods. The Movie THIRUVILAYADAL (IN 1965) Is an Outlier as a Devotional Film

Abstract

The narrow genre of devotional films in India follows a regular template – a combination of theophanic interventions, bhakti (devotional) worship and didactic narratives. THIRUVILAYADAL (THE DIVINE PLAY, Akkamappettai Paramasivan Nagarajan, IN 1965), a film in Tamil (a language spoken across South and East Asia by a large diaspora), was long considered a devotional movie that celebrated the God Shiva. However, a close analysis shows that the movie subverts the darshan concept (viewing) in a Hindu devotional film. Though it may appear to be a film about Puranic (mythic) Hindu gods, the subtle subtext reduces heavenly entities to supplicatory positions in relation to a cornerstone of identity in the post-independence Dravidianist Tamil State – Tamil language. This understanding of THIRUVILAYADAL is all the more relevant in light of the increasing rigidity of Hindu religious beliefs in contemporary India.

Download icon

Published in:

Preferred Citation
BibTex
Gopalkrishnan, Sreeram; Sreeram, Lekshmi: The Tamil Language as More Central than Even the Gods. The Movie THIRUVILAYADAL (IN 1965) Is an Outlier as a Devotional Film. In: Journal for Religion, Film and Media, Jg. 9 (2023), Nr. 2, S. 127-142. DOI: http://dx.doi.org/10.25969/mediarep/20127.
@ARTICLE{Gopalkrishnan2023,
 author = {Gopalkrishnan, Sreeram and Sreeram, Lekshmi},
 title = {The Tamil Language as More Central than Even the Gods. The Movie THIRUVILAYADAL (IN 1965) Is an Outlier as a Devotional Film},
 year = 2023,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/20127}",
 volume = 9,
 address = {Marburg},
 journal = {Journal for Religion, Film and Media},
 number = 2,
 pages = {127--142},
}
license icon

As long as there is no further specification, the item is under the following license: Creative Commons - Namensnennung - Nicht kommerziell - Weitergabe unter gleichen Bedingungen