Zwischen Raubtier und Chamäleon. Das Schicksal der Filmwissenschaft

Author(s): Koch, Gertrud


In discussing recent media theories which question the importance and validity of classical film and Film Studies, e.g. by Lev Manovich, the author comes to the conclusion that the dispositive of cinema consists in a specific illusionism which is not wiped out by digital media but rather diffuses into them. That means as a consequences that Film Studies still find their motives and motivation in analyzing the relation of evidence and illusion, of perception and aesthetics of the moving image.

Download icon

Published in:

Preferred Citation
Koch, Gertrud: Zwischen Raubtier und Chamäleon. Das Schicksal der Filmwissenschaft. In: Zeitschrift für Medienwissenschaft, Jg. 1 (2009), Nr. 1, S. 65-73. DOI: 10.25969/mediarep/2621.
 author = {Koch, Gertrud},
 title = {Zwischen Raubtier und Chamäleon. Das Schicksal der Filmwissenschaft},
 year = 2009,
 doi = {10.25969/mediarep/2621},
 volume = 1,
 address = {Berlin},
 journal = {Zeitschrift für Medienwissenschaft},
 number = 1,
 pages = {65--73},
license icon

The item has been published with the following license: Unter Urheberrechtsschutz