Article:
The Curated TV Experience with ‘Value Added’: Walter Presents, Canned TV, Curation, and Post-production Culture

dc.creatorLongden, Kenneth
dc.date.accessioned2021-01-08T14:00:40Z
dc.date.available2021-01-08T14:00:40Z
dc.date.issued2020
dc.description.abstractCanned TV has been a television industry practice almost from the start of television itself and was a way in which local/nationally-produced television programmes gained extra revenue by travelling, under licence, around the world. As well as providing extra revenue, this process also provided, often unintentionally, various opportunities for branding – both at the broadcaster level and at the national level. However, using Channel 4’s OD platform, Walter Presents, this essay will consider the state of canned TV in more contemporary terms related to global and transnational ideas where television in general, and canned TV in particular, describe a transformed media culture.en
dc.identifier.doihttps://doi.org/10.18146/view.216
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15356
dc.identifier.urihttp://viewjournal.eu/articles/10.18146/view.216/
dc.identifier.urihttps://mediarep.org/handle/doc/16166
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectÖkonomiede
dc.subjectGroßbritanniende
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleThe Curated TV Experience with ‘Value Added’: Walter Presents, Canned TV, Curation, and Post-production Cultureen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:16:06
local.identifier.firstpublishedhttps://doi.org/10.18146/view.216
local.source.epage118
local.source.issue17
local.source.spage104
local.source.volume9

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