Article:
Semiotic Considerations in an Artificial Intelligence-Based Art Practice

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dc.creatorMateas, Michael
dc.date.accessioned2022-01-06T13:36:50Z
dc.date.available2022-01-06T13:36:50Z
dc.date.issued2003
dc.description.abstractIn my work I engage in a hybrid practice combining artificial intelligence (AI) research and art marking, a practice I call Expressive AI. Computers are fundamentally meaning machines - the long chains of meaningless causal processes that comprise computation can be linked to culturally meaningful signs such that computers can participate in processes of signification. AI consists of coupled rhetorical and technical strategies for structuring computational processes. Artists can consciously manipulate these rhetorical and technical strategies so as to build machines with powerful authorial affordances for crafting audience experiences.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/17622
dc.identifier.urihttps://mediarep.org/handle/doc/18577
dc.languageeng
dc.publisherRoberto Simanowski
dc.publisher.placeProvidence
dc.relation.isPartOfissn:1617-6901
dc.relation.ispartofseriesDichtung Digital. Journal für Kunst und Kultur digitaler Medien
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectNew Media Arten
dc.subjectartificial intelligenceen
dc.subject.ddcddc:791
dc.titleSemiotic Considerations in an Artificial Intelligence-Based Art Practiceen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-01-06T14:42:25
local.source.epage5
local.source.issue3
local.source.issueTitleNr. 29
local.source.spage1
local.source.volume5

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29 | 2003