Article: Invading/Inviting: From Surveillance to Byzantium
dc.creator | Meurer, Ulrich | |
dc.date.accessioned | 2022-06-21T12:55:13Z | |
dc.date.available | 2022-06-21T12:55:13Z | |
dc.date.issued | 2020 | |
dc.description.abstract | While border surveillance produces geopolitical realities and distinctions between types of human life, Richard Mosse’s video installation INCOMING (2017) uses a military high-grade thermal camera to challenge this onto-political project. Recording refugee camps and crossings via the Mediterranean into Europe, his techno-images’ specific mosaic structure, tactility, and luminous flatness evoke the visual mode of Byzantine icons, thus switching from a paranoid, invasive world/view to an economy of mediation and contact with the Other. | en |
dc.identifier.doi | 10.28937/1000108422 | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/18748 | |
dc.identifier.uri | https://meiner.de/artikel/1000108422 | |
dc.identifier.uri | https://mediarep.org/handle/doc/19894 | |
dc.language | eng | |
dc.publisher | Felix Meiner | |
dc.publisher.place | Hamburg | |
dc.relation.isPartOf | issn:1869-1366 | |
dc.relation.ispartofseries | ZMK Zeitschrift für Medien- und Kulturforschung | |
dc.rights | Creative Commons Attribution Non Commercial Share Alike 3.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-sa/3.0 | |
dc.subject | Technobilder | de |
dc.subject | Grenzüberwachung | de |
dc.subject | Flüchtlinge | de |
dc.subject | techno-images | en |
dc.subject | border surveillance | en |
dc.subject | refugees | en |
dc.subject.ddc | ddc:600 | |
dc.subject.ddc | ddc:300 | |
dc.title | Invading/Inviting: From Surveillance to Byzantium | en |
dc.type | article | |
dc.type.status | publishedVersion | |
dspace.entity.type | Article | en |
local.coverpage | 2022-06-21T15:11:03 | |
local.source.epage | 173 | |
local.source.issue | 1 | |
local.source.issueTitle | Schalten und Walten | |
local.source.spage | 157 | |
local.source.volume | 11 |
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