Article:
Invading/Inviting: From Surveillance to Byzantium

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dc.creatorMeurer, Ulrich
dc.date.accessioned2022-06-21T12:55:13Z
dc.date.available2022-06-21T12:55:13Z
dc.date.issued2020
dc.description.abstractWhile border surveillance produces geopolitical realities and distinctions between types of human life, Richard Mosse’s video installation INCOMING (2017) uses a military high-grade thermal camera to challenge this onto-political project. Recording refugee camps and crossings via the Mediterranean into Europe, his techno-images’ specific mosaic structure, tactility, and luminous flatness evoke the visual mode of Byzantine icons, thus switching from a paranoid, invasive world/view to an economy of mediation and contact with the Other.en
dc.identifier.doi10.28937/1000108422
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18748
dc.identifier.urihttps://meiner.de/artikel/1000108422
dc.identifier.urihttps://mediarep.org/handle/doc/19894
dc.languageeng
dc.publisherFelix Meiner
dc.publisher.placeHamburg
dc.relation.isPartOfissn:1869-1366
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectTechnobilderde
dc.subjectGrenzüberwachungde
dc.subjectFlüchtlingede
dc.subjecttechno-imagesen
dc.subjectborder surveillanceen
dc.subjectrefugeesen
dc.subject.ddcddc:600
dc.subject.ddcddc:300
dc.titleInvading/Inviting: From Surveillance to Byzantiumen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-06-21T15:11:03
local.source.epage173
local.source.issue1
local.source.issueTitleSchalten und Walten
local.source.spage157
local.source.volume11

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