Article:
Scott Snibbe's DEEP WALLS: A Close Reading

dc.creatorSimanowski, Roberto
dc.date.accessioned2022-01-06T14:22:35Z
dc.date.available2022-01-06T14:22:35Z
dc.date.issued2006
dc.description.abstractDeep Walls (2003), by Scott Snibbe (see interview), consists of a camera and a rectangular screen which is divided in 16 smaller rectangular screens. The camera records the projected shadow of the viewers who move in front of the screen, and each of the small screens plays one of those recordings over and over until a new recording replaces the oldest recording. The piece is set up in a way that the viewer is not aware that she is recorded; she only realizes that her oversized shadow is projected onto the big rectangle, not knowing that when she leaves her action materializes as a looping silhouette in one of the small screens. Given the inexplicitness of the grammar of interaction, in many cases what is recorded is the attempt to figure out the grammar of interaction. This can be considered a metacommentary on interactivity. However, there is much more symbolic in this installation.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/17691
dc.identifier.urihttps://mediarep.org/handle/doc/18653
dc.languageeng
dc.publisherRoberto Simanowski
dc.publisher.placeProvidence
dc.relation.isPartOfissn:1617-6901
dc.relation.ispartofseriesDichtung Digital. Journal für Kunst und Kultur digitaler Medien
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectinteractivityen
dc.subjectart installationen
dc.subjectDigital Mediaen
dc.subjectbodyen
dc.subject.ddcddc:791
dc.subject.workDEEP WALLS
dc.titleScott Snibbe's DEEP WALLS: A Close Readingen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-01-06T15:28:08
local.source.epage6
local.source.issue1
local.source.issueTitleNr. 36
local.source.spage1
local.source.volume8
relation.isAuthorOfArticle8751bc75-f9ca-4645-b2cd-6fa81323ad4f
relation.isAuthorOfArticle.latestForDiscovery8751bc75-f9ca-4645-b2cd-6fa81323ad4f

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