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Fortschritt als Fraktur im frühen Science Fiction Film. Metaphorologische Überlegungen zu Auf- und Einbrüchen in LE VOYAGE DANS LA LUNE und LE VOYAGE À TRAVERS L'IMPOSSIBLE von G. Méliès

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dc.creatorHartmann, Jörg
dc.date.accessioned2019-07-16T09:50:56Z
dc.date.available2019-07-16T09:50:56Z
dc.date.issued2009
dc.description.abstractFantasies of man travelling into space form a main part of the popular movie genre ‘Science Fiction’. These celluloid visions are not only fantasies of improving transport, they also convey a meaning in a figurative sense. They can be seen as a modern adoption of one of humanities oldest metaphors, ‘life as a sea fare voyage’: the meaning, which was once expressed by this ‘nautical metaphor’, has been transferred and can nowadays be found in films, which show astro-nauts crossing the frontier from known space into the unknown space. In order to conclude on their attitude towards technological progress in the early 20th century, the two oldest space travel movies, Le Voyage dans la Lune (F 1902) and Le Voyage a Travers L'Impossible (F 1904) will be analyzeden
dc.identifier.doi10.25969/mediarep/4100
dc.identifier.urihttps://mediarep.org/handle/doc/4863
dc.languagedeu
dc.publisherKIT Scientific Publishing
dc.publisher.placeKarlsruhe
dc.relation.isPartOfissn:1868-6648
dc.relation.ispartofseriesJournal of New Frontiers in Spatial Concepts
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 3.0 Germany
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/de
dc.subjectRaumfahrtde
dc.subjectScience-Fictionen
dc.subjectearly cinemaen
dc.subject.ddcddc:791
dc.subject.personGeorges Méliès
dc.subject.workLE VOYAGE DANS LA LUNE
dc.subject.workLE VOYAGE À TRAVERS L'IMPOSSIBLE
dc.titleFortschritt als Fraktur im frühen Science Fiction Film. Metaphorologische Überlegungen zu Auf- und Einbrüchen in LE VOYAGE DANS LA LUNE und LE VOYAGE À TRAVERS L'IMPOSSIBLE von G. Mélièsde
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationJörg Hartmann: Fortschritt als Fraktur im frühen Science Fiction Film. Metaphorologische Überlegungen zu Auf- und Einbrüchen in LE VOYAGE DANS LA LUNE und LE VOYAGE À TRAVERS L`IMPOSSIBLE von G. Méliès. In: Journal of New Frontiers in Spatial Concepts, Jg. 1 (2009), S. 134–147. DOI: http://dx.doi.org/10.25969/mediarep/4100.
dspace.entity.typeArticleen
local.coverpage2021-05-29T01:00:21
local.source.epage147
local.source.spage134
local.source.volume1
local.subject.gndhttp://d-nb.info/gnd/118783084
local.subject.gndhttp://d-nb.info/gnd/7676786-3
local.subject.wikidatahttps://www.wikidata.org/wiki/Q152272
local.subject.wikidatahttps://www.wikidata.org/wiki/Q244971
local.subject.wikidatahttps://www.wikidata.org/wiki/Q2563734

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