Article:
(Un)Frozen expressions: Melodramatic moment, affective interval, and the transformative powers of experimental cinema

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dc.creatorAnger, Jiří
dc.date.accessioned2020-01-27T15:52:36Z
dc.date.available2020-01-27T15:52:36Z
dc.date.issued2019
dc.description.abstractThe study examines the double temporality of melodrama and the ways in which it can be further developed or transformed. Typical melodramatic moments draw attention to the tension between static, seemingly frozen tableaus and utopian, supposedly endless expression. Certain experimental films (e.g. Werner Schroeter’s DER TOD DER MARIA MALIBRAN) radicalise this tension, making way for all the affective operations that emerge when the two temporalities are played out against each other. At the same time, while these affective operations make the melodramatic moments appear in a different light, they still leave them recognisable as melodramatic. This paper aims to show how this two-way movement between melodrama and experimental cinema, or melodramatic moment and affective interval respectively, works and the new insights it can bring for affect studies and their application in film theory.en
dc.identifier.doi10.25969/mediarep/13131
dc.identifier.urihttps://necsus-ejms.org/unfrozen-expressions-melodramatic-moment-affective-interval-and-the-transformative-powers-of-experimental-cinema/
dc.identifier.urihttps://mediarep.org/handle/doc/14052
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectaffecten
dc.subjectexperimental cinemaen
dc.subjectintervalen
dc.subjectAffektde
dc.subjectexperimentelles Kinode
dc.subjectmelodramaen
dc.subjectMelodramde
dc.subject.ddcddc:791
dc.subject.personWerner Schroeter
dc.subject.workDER TOD DER MARIA MALIBRAN
dc.title(Un)Frozen expressions: Melodramatic moment, affective interval, and the transformative powers of experimental cinemaen
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationJiří Anger: (Un)Frozen expressions: Melodramatic moment, affective interval, and the transformative powers of experimental cinema. In: NECSUS. European Journal of Media Studies, Jg. 8 (2019) Nr. 2, S. 25–47. DOI: http://dx.doi.org/10.25969/mediarep/13131.
dspace.entity.typeArticleen
local.coverpage2020-11-22T11:00:41
local.identifier.firstpublishedhttps://necsus-ejms.org/unfrozen-expressions-melodramatic-moment-affective-interval-and-the-transformative-powers-of-experimental-cinema/
local.source.epage47
local.source.issue2
local.source.issueTitle#Gesture
local.source.spage25
local.source.volume8
local.subject.gndhttps://d-nb.info/gnd/118610902
local.subject.wikidatahttps://www.wikidata.org/wiki/Q62323
local.subject.wikidatahttps://www.wikidata.org/wiki/Q3210836

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