Article:
Video-Dekompositionen

dc.creatorHuck, Christian
dc.date.accessioned2018-10-09T12:17:19Z
dc.date.available2018-10-09T12:17:19Z
dc.date.issued2013
dc.identifier.doi10.25969/mediarep/2360
dc.identifier.urihttps://www.uni-muenster.de/Ejournals/index.php/pop/article/view/1095/1047
dc.identifier.urihttps://mediarep.org/handle/doc/3912
dc.identifier.urnurn:nbn:de:hbz:6:3-20140314105
dc.languagedeu
dc.publishertranscript
dc.publisher.placeBielefeld
dc.relation.isPartOfissn:2198-0322
dc.relation.ispartofseriesPOP. Kultur und Kritik
dc.rightsIn Copyrighten
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subjectPopmusikde
dc.subjectPopkulturde
dc.subjectMusikvideode
dc.subjectMarketingde
dc.subjectDaft Punkde
dc.subject.ddcddc:780
dc.titleVideo-Dekompositionende
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationHuck, Christian (2013): Video-Dekompositionen. In: POP. Kultur und Kritik (3), S. 71–75. DOI: http://dx.doi.org/10.25969/mediarep/2360.
dspace.entity.typeArticleen
local.coverpage2021-05-29T05:38:59
local.identifier.firstpublishedurn:nbn:de:hbz:6:3-20140314105
local.source.epage75
local.source.issue2
local.source.spage71
local.source.volume2
local.subject.gndhttps://d-nb.info/gnd/10198300-1
local.subject.wikidatahttps://www.wikidata.org/wiki/Q185828

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