Article:
Canned Adaptations and International Success of Turkish TV

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dc.creatorZorlu, Deniz
dc.date.accessioned2021-01-08T14:00:40Z
dc.date.available2021-01-08T14:00:40Z
dc.date.issued2020
dc.description.abstractThis article examines Turkish TV series’ recent success as canned programming primarily in newly developed and developing countries in Eastern Europe, the Balkans, the Middle East, South Asia, and South America through close textual analysis of a particularly popular Turkish adaptation, BIZIM HIKAYE (OUR STORY) (2017–2019) in comparison with its original, SHAMELESS (2011–). I argue that Turkish series’ emphasis on nostalgic and melancholic narrative frames make them particularly appealing in these regions, as they deal with relatable circumstances of swift and traumatic changes under neoliberalism. However, female protagonists are allowed only a limited range of roles because of the reliance on nostalgia, thus, ultimately serving to re-legitimize patriarchal relations of domination.en
dc.identifier.doihttps://doi.org/10.18146/view.228
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15355
dc.identifier.urihttp://viewjournal.eu/articles/10.18146/view.228/
dc.identifier.urihttps://mediarep.org/handle/doc/16165
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectTürkeide
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleCanned Adaptations and International Success of Turkish TVen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:16:01
local.identifier.firstpublishedhttps://doi.org/10.18146/view.228
local.source.epage103
local.source.issue17
local.source.spage93
local.source.volume9

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2020 | 17 | Canned TV Going Global