Article:
The filmmaker as Instagram auteur: A case study on Claire Denis

dc.creatorMurphy, Cáit
dc.date.accessioned2022-07-12T09:33:13Z
dc.date.available2022-07-12T09:33:13Z
dc.date.issued2022
dc.description.abstractIn this article I propose further inclusion of auteurs’ Instagram profiles within contemporary auteurism. Examining selected auteur profiles, I trace aesthetic and commercial tendencies. I compare the forms of film and Instagram, connecting this to Lev Manovich’s research and Timothy Corrigan’s ‘commerce of auteurism’. Instagram’s individualism extends Alexandre Astruc’s caméra-stylo theory. My case study is Claire Denis’ profile. I argue that her posts share aspects with her filmic ‘corpus’, like fragmentation and transience. Her profile has thus far expressed an anti-promotional stance, a distinctive design aesthetic, and the highly autobiographical part of her ‘work’ is indicative of Instagram’s authorial potential for filmmakers.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18820
dc.identifier.urihttps://necsus-ejms.org/the-filmmaker-as-instagram-auteur-a-case-study-on-claire-denis/
dc.identifier.urihttps://mediarep.org/handle/doc/19970
dc.languageeng
dc.publisherNECS
dc.publisher.place
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS_European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectprofileen
dc.subjectdigital mediaen
dc.subjectpromotionalen
dc.subjectsocial mediaen
dc.subjectcaméra-styloen
dc.subject.ddcddc:791
dc.titleThe filmmaker as Instagram auteur: A case study on Claire Denisen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-07-12T12:22:09
local.source.epage284
local.source.issue1
local.source.issueTitle#Rumors
local.source.spage258
local.source.volume11

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