Article: Material properties of historical film in the digital age
| dc.creator | Flückiger, Barbara | |
| dc.date.accessioned | 2018-09-26T11:39:48Z | |
| dc.date.available | 2018-09-26T11:39:48Z | |
| dc.date.issued | 2012 | |
| dc.description.abstract | In his landmark study THE VIRTUAL LIFE OF FILM, David N. Rodowick rephrases André Bazin’s famous question ‘what is cinema?’ using the past tense: ‘what was cinema?’ He notes that, paradoxically, film studies is dealing with an object that no longer exists; it ceased existing as an object of study in the 1970s when ‘cinema’ as ‘the projection of a photographically recorded filmstrip in a theatrical setting’ was replaced by various other means of presentation, such as video cassettes and later video discs. | en |
| dc.identifier.doi | 10.5117/NECSUS2012.2.FLUE | |
| dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/15053 | |
| dc.identifier.uri | https://www.necsus-ejms.org/test/material-properties-of-historical-film-in-the-digital-age/ | |
| dc.identifier.uri | https://mediarep.org/handle/doc/3205 | |
| dc.language | eng | |
| dc.publisher | Amsterdam University Press | |
| dc.publisher.place | Amsterdam | |
| dc.relation.isPartOf | issn:2213-0217 | |
| dc.relation.ispartofseries | NECSUS. European Journal of Media Studies | |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| dc.subject | Digitales Kino | de |
| dc.subject | Digitalisierung | de |
| dc.subject | Film | de |
| dc.subject | Materialität | de |
| dc.subject | Opazität | de |
| dc.subject | Konservierung | de |
| dc.subject | Körperkontakt | de |
| dc.subject | digital | en |
| dc.subject | film | en |
| dc.subject | material | en |
| dc.subject | opacity | en |
| dc.subject | preservation | en |
| dc.subject | tangibility | en |
| dc.subject.ddc | ddc:028 | |
| dc.title | Material properties of historical film in the digital age | en |
| dc.type | article | |
| dc.type.status | publishedVersion | |
| dcterms.bibliographicCitation | Flückiger, Barbara (2012): Material properties of historical film in the digital age. In: NECSUS. European Journal of Media Studies 1 (2), 135–153. DOI: https://doi.org/10.5117/NECSUS2012.2.FLUE. | |
| dspace.entity.type | Article | en |
| local.coverpage | 2021-05-29T05:17:05 | |
| local.identifier.firstpublished | https://doi.org/10.5117/NECSUS2012.2.FLUE | |
| local.source.epage | 153 | |
| local.source.issue | 2 | |
| local.source.spage | 135 | |
| local.source.volume | 1 |
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