Article:
The layers of subtitling

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dc.creatorGiovanni, Elena Di
dc.date.accessioned2020-03-25T12:33:01Z
dc.date.available2020-03-25T12:33:01Z
dc.date.issued2016
dc.description.abstractThe study of subtitling, although widely practiced over the past 20 years, has generally been confined to comparative studies focusing on the product of subtitle translation, with little or no consideration of the conditions of creation and reception. Focusing on the process of subtitle production, occasional studies have touched upon the cognitive processes accompanying it, but no study so far has related these processes, and the resulting products, to various degrees of translators’ competence. This is precisely what this essay does, focusing on the different layers of subtitle translation provided for two different films and in two different contexts. By analysing the first and second versions of subtitle translations, we shall reflect on the acquisition, and application, of different subtitling competences.en
dc.identifier.doi10.1080/23311983.2016.1151193
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/13557
dc.identifier.urihttps://mediarep.org/handle/doc/14483
dc.languageeng
dc.publisher.placeLondon
dc.relation.isPartOfissn:2331-1983
dc.relation.ispartofseriesCogent Arts & Humanities
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectUntertitelde
dc.subjectFilmwissenschaftde
dc.subjectĂśbersetzungde
dc.subject.ddcddc:410
dc.subject.ddcddc:791
dc.subject.workGO TELL THE SPARTANS
dc.subject.workOTHER MEN'S WOMEN
dc.titleThe layers of subtitlingen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T01:00:29
local.identifier.firstpublishedhttps://doi.org/10.1080/23311983.2016.1151193
local.source.issue1
local.source.spage1151193
local.source.volume3
local.subject.wikidatahttps://www.wikidata.org/wiki/Q1645944
local.subject.wikidatahttps://www.wikidata.org/wiki/Q7108601

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