Article: Double Exposures: ‘Visual returns’ in the Deadwood and Breaking Bad sequel films
dc.creator | Tedesco-Barlocco, Brunella | |
dc.date.accessioned | 2023-07-17T07:14:16Z | |
dc.date.available | 2023-07-17T07:14:16Z | |
dc.date.issued | 2023 | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/19740 | |
dc.identifier.uri | https://mediarep.org/handle/doc/20952 | |
dc.language | eng | |
dc.publisher | NECS | |
dc.publisher.place | Marburg | |
dc.relation.isPartOf | issn:2213-0217 | |
dc.relation.ispartofseries | NECSUS_European Journal of Media Studies | |
dc.rights | Creative Commons Attribution Non Commercial No Derivatives 4.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
dc.subject | audiovisual essay | en |
dc.subject | av essay | en |
dc.subject | desktop documentary | en |
dc.subject.ddc | ddc:791 | |
dc.title | Double Exposures: ‘Visual returns’ in the Deadwood and Breaking Bad sequel films | en |
dc.type | article | |
dc.type.status | publishedVersion | |
dspace.entity.type | Article | en |
local.coverpage | 2023-09-18T16:50:55 | |
local.identifier.firstpublished | https://necsus-ejms.org/double-exposures-visual-returns-in-the-deadwood-and-breaking-bad-sequel-films/ | |
local.source.epage | 289 | |
local.source.issue | 1 | |
local.source.issueTitle | #Ports | |
local.source.spage | 286 | |
local.source.volume | 12 |
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