Article:
Front Lines of Community. A Postscript to Hollywood War Cinema

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dc.creatorKappelhoff, Hermann
dc.date.accessioned2022-06-21T12:37:30Z
dc.date.available2022-06-21T12:37:30Z
dc.date.issued2019
dc.description.abstractWhat kind of world emerges as a common world for the spectator in the staging of the events of war? And how can the film-analytical reconstruction of a sense of commonality open up historical consciousness in the first place? Focusing on the combat report With the Marines at Tarawa (USA 1944) this text shows how the ramifications of genre poetics can be explored as a network of experiential modalities that make history graspable as a continuous process of delineating the limits of community.en
dc.identifier.doi10.28937/1000108348
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18731
dc.identifier.urihttps://meiner.de/artikel/1000108348
dc.identifier.urihttps://mediarep.org/handle/doc/19876
dc.languageeng
dc.publisherFelix Meiner
dc.publisher.placeHamburg
dc.relation.isPartOfissn:1869-1366
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rightsCreative Commons Attribution Non Commercial Share Alike 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0
dc.subjectFilmde
dc.subjectKriegde
dc.subjectGeschichtede
dc.subjectfilmen
dc.subjectwaren
dc.subjecthistoryen
dc.subject.ddcddc:791.44
dc.titleFront Lines of Community. A Postscript to Hollywood War Cinemaen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-06-21T14:53:28
local.source.epage24
local.source.issue2
local.source.issueTitleBlockchain
local.source.spage11
local.source.volume10
relation.isAuthorOfArticleb45bdc03-eea2-4028-9697-377bb5945a61
relation.isAuthorOfArticle.latestForDiscoveryb45bdc03-eea2-4028-9697-377bb5945a61

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