Article:
Polyphonic recounting – Opening the institution; the case of the Fundació Antoni Tàpies Barcelona

dc.creatorRassel, Laurence
dc.date.accessioned2024-06-14T08:31:38Z
dc.date.available2024-06-14T08:31:38Z
dc.date.issued2014
dc.description.abstractAll the documents generated by the activities of the Fundació Antoni Tàpies in Barcelona are considered to be a public archive, and they will all be digitized. Indeed, an artwork generates documents by its mere existence. These are collected as “physical traces”, “leftovers”, marks of existence of what is defined by those working at and shaping the Museum as events, events that are happening in time and space in the Fundació. We gave the name Arts Combinatòries to the process of archiving, of digitizing and opening a space, real and virtual, that provides access to the archive in the institution. The article reflects on the notion of open access not only in the digital world but also in the museum.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/22202
dc.identifier.urihttps://perfomap.de/map5/transparenz/polyphonic-recounting/polyphonic-recounting.pdf
dc.identifier.urihttps://mediarep.org/handle/doc/23601
dc.languageeng
dc.publisherHochschule für Musik und Theater Leipzig
dc.publisher.placeLeipzig
dc.relation.isPartOfissn:2191-0901
dc.relation.ispartofseriesMAP - Media | Archive | Performance
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectartworkaen
dc.subjectexhibitionen
dc.subjectopennessen
dc.subjectinstitutionen
dc.subjectcultural sectoren
dc.subject.ddcddc:700
dc.subject.ddcddc:790
dc.titlePolyphonic recounting – Opening the institution; the case of the Fundació Antoni Tàpies Barcelonaen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticle
local.coverpage2024-06-16T02:40:35
local.identifier.firstpublishedhttps://perfomap.de/map/5/transparenz/polyphonic-recounting
local.source.epage11
local.source.issue1
local.source.issueTitleMAP #5 Archiv / Prozesse 2
local.source.spage1
local.source.volume5

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