Article: Anfang, Exposition, Initiation. Perspektiven einer pragmatischen Texttheorie des Filmanfangs
dc.creator | Hartmann, Britta | |
dc.date.accessioned | 2018-09-20T15:08:55Z | |
dc.date.available | 2018-09-20T15:08:55Z | |
dc.date.issued | 1995 | |
dc.identifier.doi | 10.25969/mediarep/496 | |
dc.identifier.uri | https://mediarep.org/handle/doc/1078 | |
dc.identifier.uri | https://www.montage-av.de/pdf/1995_4_2_MontageAV/montage_AV_4_2_1995_101-122_Hartmann_Filmanfang.pdf | |
dc.language | deu | |
dc.publisher | Gesellschaft für Theorie & Geschichte audiovisueller Kommunikation e.V. | |
dc.publisher.place | Berlin | |
dc.relation.isPartOf | issn:0942-4954 | |
dc.relation.isPartOf | doi:http://dx.doi.org/10.25969/mediarep/488 | |
dc.relation.ispartofseries | montage AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation | |
dc.rights | In Copyright | en |
dc.rights.uri | https://rightsstatements.org/vocab/InC/1.0/ | |
dc.subject | Narratologie | de |
dc.subject | Filmanfang | de |
dc.subject.ddc | ddc:791 | |
dc.title | Anfang, Exposition, Initiation. Perspektiven einer pragmatischen Texttheorie des Filmanfangs | de |
dc.type | article | |
dc.type.status | publishedVersion | |
dcterms.bibliographicCitation | Hartmann, Britta (1995): Anfang, Exposition, Initiation. Perspektiven einer pragmatischen Texttheorie des Filmanfangs. In: montage AV 4(2), 101-122. DOI: http://dx.doi.org/10.25969/mediarep/496. | |
dspace.entity.type | Article | en |
local.coverpage | 2021-05-29T04:16:58 | |
local.identifier.firstpublished | https://www.montage-av.de/pdf/1995_4_2_MontageAV/montage_AV_4_2_1995_101-122_Hartmann_Filmanfang.pdf | |
local.source.epage | 122 | |
local.source.issue | 2 | |
local.source.spage | 101 | |
local.source.volume | 4 | |
relation.isJournalIssueOfArticle | bfcc76f1-79cb-4e90-a93f-1a42805f22ee | |
relation.isJournalIssueOfArticle.latestForDiscovery | bfcc76f1-79cb-4e90-a93f-1a42805f22ee |
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