Article:
Soviet Film Footage and Professional Practices (1941–1945)

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dc.contributor.editorTcherneva, Irina
dc.contributor.editorMoutier-Bitan, Marie
dc.contributor.editorPozner, Valèrie
dc.creatorTcherneva, Irina
dc.date.accessioned2025-02-18T13:42:30Z
dc.date.available2025-02-18T13:42:30Z
dc.date.issued2025
dc.description.abstractThe documentary footage taken by the Soviets as they uncovered war crimes in the USSR, the Baltic states, Poland, Czechoslovakia, Germany and Hungary reveals a seminal tension between the media coverage of acts of violence and the expert use of images as evidence. Through an examination of professional, institutional and social constraints under which filmmakers operated, thie article delineates an intermediary space between the orders issued by central authorities and individual intentions – a space where interactions with bystanders, victims and witnesses were codified by the profession.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/23567
dc.identifier.urihttps://mediarep.org/handle/doc/25389
dc.languageeng
dc.publisherUniversität Bremen
dc.publisher.placeBremen
dc.relation.isPartOfissn:2627-5848
dc.relation.ispartofseriesResearch in Film and History
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectDocumentaryen
dc.subjectSovieten
dc.subjectHolocausten
dc.subjectFilmingen
dc.subjectFramingen
dc.subject.ddcddc:791
dc.titleSoviet Film Footage and Professional Practices (1941–1945)en
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticle
local.coverpage2025-02-19T02:34:13
local.source.epage50
local.source.issue6
local.source.issueTitleDocumenting Nazi Crimes through Soviet Film
local.source.spage1

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