Article:
Claude Lanzmann’s The Four Sisters (2017) on Television

dc.creatorVice, Sue
dc.date.accessioned2022-10-06T14:37:40Z
dc.date.available2022-10-06T14:37:40Z
dc.date.issued2021
dc.description.abstractThis article analyses Claude Lanzmann’s final work, The Four Sisters (2017), in the context of its being edited from the outtakes of Shoah (1985) for broadcast on the Arte television channel. It argues that the distinctive features of the film, including its form as a quartet of self-contained interviews, absence of location footage and reliance on certain kinds of shot construction and mise-en-scene, arise from this televisual production context, as well as seeming to mark an ambivalent effort on the director’s part to redress his earlier work’s focus on male testifiers.en
dc.identifier.doi10.18146/view.269
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18965
dc.identifier.urihttps://viewjournal.eu/articles/10.18146/view.269/
dc.identifier.urihttps://mediarep.org/handle/doc/20125
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW. Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectHolocausten
dc.subjectShoah, female survivors, televisionen
dc.subject.ddcddc:791
dc.titleClaude Lanzmann’s The Four Sisters (2017) on Televisionen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-10-06T16:51:54
local.identifier.firstpublishedhttp://doi.org/10.18146/view.269
local.source.epage33
local.source.issue20
local.source.issueTitleRace and European TV Histories
local.source.spage18
local.source.volume10

Files

Original bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
VIEW_20_18-33_Vice_Four-Sisters_.pdf
Size:
1.53 MB
Format:
Adobe Portable Document Format
Description:
Original PDF with additional cover page.