Article: Claude Lanzmann’s The Four Sisters (2017) on Television
dc.creator | Vice, Sue | |
dc.date.accessioned | 2022-10-06T14:37:40Z | |
dc.date.available | 2022-10-06T14:37:40Z | |
dc.date.issued | 2021 | |
dc.description.abstract | This article analyses Claude Lanzmann’s final work, The Four Sisters (2017), in the context of its being edited from the outtakes of Shoah (1985) for broadcast on the Arte television channel. It argues that the distinctive features of the film, including its form as a quartet of self-contained interviews, absence of location footage and reliance on certain kinds of shot construction and mise-en-scene, arise from this televisual production context, as well as seeming to mark an ambivalent effort on the director’s part to redress his earlier work’s focus on male testifiers. | en |
dc.identifier.doi | 10.18146/view.269 | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/18965 | |
dc.identifier.uri | https://viewjournal.eu/articles/10.18146/view.269/ | |
dc.identifier.uri | https://mediarep.org/handle/doc/20125 | |
dc.language | eng | |
dc.publisher | Netherlands Institute for Sound and Vision | |
dc.publisher.place | Hilversum | |
dc.relation.isPartOf | issn:2213-0969 | |
dc.relation.ispartofseries | VIEW. Journal of European Television History and Culture | |
dc.rights | Creative Commons Attribution Share Alike 4.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by-sa/4.0 | |
dc.subject | Holocaust | en |
dc.subject | Shoah, female survivors, television | en |
dc.subject.ddc | ddc:791 | |
dc.title | Claude Lanzmann’s The Four Sisters (2017) on Television | en |
dc.type | article | |
dc.type.status | publishedVersion | |
dspace.entity.type | Article | en |
local.coverpage | 2022-10-06T16:51:54 | |
local.identifier.firstpublished | http://doi.org/10.18146/view.269 | |
local.source.epage | 33 | |
local.source.issue | 20 | |
local.source.issueTitle | Race and European TV Histories | |
local.source.spage | 18 | |
local.source.volume | 10 |
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