Article:
Apocalypse as Critical Dystopia in Modern Popular Music

dc.creatorCalvo-Sotelo, Javier Campos
dc.date.accessioned2023-05-23T08:25:04Z
dc.date.available2023-05-23T08:25:04Z
dc.date.issued2019
dc.description.abstractThe last book of the New Testament has inspired countless narratives and cultural productions. In the realm of popular music the Apocalypse was embraced as synonymous of imminent catastrophe, generating a dystopian discourse. As a tool for analysis, the concept of “critical dystopia” has built a useful bridge between apocalyptic menaces, re-enchantment of the world, and social protest. On the other hand, “authenticity” is a sacred dimension within rock, the antidote of commercialism. This paper has two parts: first a conceptual review of the state of the questions and debate involved; and second, an exposition of selected songs, followed by a summary of their main traits.en
dc.identifier.doi10.25364/05.05:2019.2.5
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19504
dc.identifier.urihttps://www.jrfm.eu/index.php/ojs_jrfm/article/view/149
dc.identifier.urihttps://mediarep.org/handle/doc/20696
dc.languageeng
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2617-3697
dc.relation.ispartofseriesJournal for Religion, Film and Media
dc.rightsCreative Commons Attribution Non Commercial 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0
dc.subjectApocalypseen
dc.subjectDystopiaen
dc.subjectPopular Musicen
dc.subject.ddcddc:300
dc.titleApocalypse as Critical Dystopia in Modern Popular Musicen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2023-05-23T10:43:09
local.identifier.firstpublishedhttps://www.jrfm.eu/index.php/ojs_jrfm/article/view/149
local.source.epage94
local.source.issue2
local.source.issueTitleApocalyptic Imaginings
local.source.spage69
local.source.volume5

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