Article:
A Vicious Viewership: Transatlantic Television Audiences and LGBTQ Identities

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dc.creatorKies, Bridget
dc.date.accessioned2021-01-08T14:00:41Z
dc.date.available2021-01-08T14:00:41Z
dc.date.issued2020
dc.description.abstractThis paper uses the series VICIOUS (2013–2016), which aired on the British network ITV and the American noncommercial network PBS, as a case study in transatlantic reception for LGBTQ content. I draw on critical reception for the series, the star personae of lead actors Derek Jacobi and Ian McKellen, and studies of American perceptions of British masculinities. The varied reception for the series, understood through the networks’ economic models and cultural constructions of masculinities, reveals how notions of “quality” and “social progress” change as canned television travels to different national contexts.en
dc.identifier.doihttps://doi.org/10.18146/view.218
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15358
dc.identifier.urihttp://viewjournal.eu/articles/10.18146/view.218/
dc.identifier.urihttps://mediarep.org/handle/doc/16168
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectGender Studiesde
dc.subjectGroßbritanniende
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.subject.workVICIOUS
dc.titleA Vicious Viewership: Transatlantic Television Audiences and LGBTQ Identitiesen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:16:17
local.identifier.firstpublishedhttps://doi.org/10.18146/view.218
local.source.epage145
local.source.issue17
local.source.spage134
local.source.volume9
local.subject.wikidatahttps://www.wikidata.org/wiki/Q13099546

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2020 | 17 | Canned TV Going Global