Article:
Disharmonious designs – Colour contrast and curiosity in Jane Campion’s IN THE CUT

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dc.creatorWatkins, Liz
dc.date.accessioned2018-09-26T11:45:09Z
dc.date.available2018-09-26T11:45:09Z
dc.date.issued2013
dc.description.abstractAn analysis of colour in Jane Campion’s IN THE CUT (2003) finds that the juxtaposition of red with its complementary colour green maps the visual connections and intercommunications of the female protagonist Frannie Avery and her sister Pauline. The chromatic schema of IN THE CUT juxtaposes red and green hues in a practice which makes each appear more vivid against its complementary colour. The visual effect of colour contrast inflects the protagonist’s perception of the city as it participates in the organisation of the image composition and highlights minute details that might otherwise remain on the periphery of the frame and narrative. This colour design offers nuance to the film’s imagery beyond its capacity to draw the viewer’s attention to the female body.en
dc.identifier.doi10.5117/NECSUS2013.1.WATK
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15080
dc.identifier.urihttps://www.necsus-ejms.org/test/disharmonious-designs-colour-contrast-and-curiosity-in-jane-campions-in-the-cut/
dc.identifier.urihttps://mediarep.org/handle/doc/3263
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectFarbede
dc.subjectGründe
dc.subjectHarmoniede
dc.subjectRotde
dc.subjectcolouren
dc.subjectgreenen
dc.subjectharmonyen
dc.subjectreden
dc.subject.ddcddc:791
dc.subject.personJane Campion
dc.subject.workIN THE CUT
dc.titleDisharmonious designs – Colour contrast and curiosity in Jane Campion’s IN THE CUTen
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationWatkins, Liz (2013): Disharmonious designs – Colour contrast and curiosity in Jane Campion’s IN THE CUT. In: NECSUS. European Journal of Media Studies 2 (1), 197–212. DOI: https://doi.org/10.5117/NECSUS2013.1.WATK.
dspace.entity.typeArticleen
local.coverpage2021-05-29T05:19:06
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2013.1.WATK
local.source.epage212
local.source.issue1
local.source.spage197
local.source.volume2
local.subject.gndhttps://d-nb.info/gnd/119288516
local.subject.wikidatahttps://www.wikidata.org/wiki/Q230448
local.subject.wikidatahttps://www.wikidata.org/wiki/Q59572

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