Article:
Disputing Rossellini: Three French perspectives

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dc.creatorHarvey-Davitt, James
dc.date.accessioned2018-09-26T11:51:34Z
dc.date.available2018-09-26T11:51:34Z
dc.date.issued2014
dc.description.abstractIn his burgeoning body of film theoretical work the French philosopher Jacques Rancière repeatedly turns to some canonical films by Neorealist pioneer Roberto Rossellini. Not simply retreading tired motifs of Neorealism, Rancière’s comments offer some profound new insights, revolutionising prior perspectives on Rossellini. In this article I shall put Rancière’s perspective into dialogue with two of the most significant of these perspectives: André Bazin’s and Gilles Deleuze’s. In doing so I shall claim that Rancière’s approach departs radically from the canonised, standardised Neorealist conception of Rossellini. Instead, I wish to claim that he describes a modernist artist primarily concerned with aesthetic clashes. In doing so I shall contemplate how the meaning of these films has evolved since the era of their contemporary reception, demonstrating the congruence and disparity between these three disparate approaches.en
dc.identifier.doi10.5117/NECSUS2014.2.HARV
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15148
dc.identifier.urihttps://www.necsus-ejms.org/test/disputing-rossellini-three-french-perspectives/
dc.identifier.urihttps://mediarep.org/handle/doc/3331
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectNeorealismusde
dc.subjectModernede
dc.subjectRealismusde
dc.subjectNeorealismen
dc.subjectmodernismen
dc.subjectrealismen
dc.subject.ddcddc:791
dc.subject.personAndré Bazin
dc.subject.personGilles Deleuze
dc.subject.personJacques Rancière
dc.subject.personRoberto Rossellini
dc.titleDisputing Rossellini: Three French perspectivesen
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationHarvey-Davitt, James (2014): Disputing Rossellini: Three French perspectives. In: NECSUS. European Journal of Media Studies 3 (2), 63–80. DOI: https://doi.org/10.5117/NECSUS2014.2.HARV.
dspace.entity.typeArticleen
local.coverpage2021-05-29T05:24:00
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2014.2.HARV
local.source.epage80
local.source.issue2
local.source.spage63
local.source.volume3
local.subject.gndhttps://d-nb.info/gnd/118657704
local.subject.gndhttps://d-nb.info/gnd/118524534
local.subject.wikidatahttps://www.wikidata.org/wiki/Q362544
local.subject.wikidatahttps://www.wikidata.org/wiki/Q184226

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