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Article:
Backlot Connections

dc.creatorGibbs, John
dc.date.accessioned2025-04-25T10:53:08Z
dc.date.issued2025
dc.description.abstractThe video essay investigates the standing sets of the Universal Studios Backlot. The reuse and adaptation of such sets is a pragmatic reality of production but sometimes the relationships between spaces, through time and project, become suggestive or surprising in the meanings and experiences they produce. Drawing on films made or set in the 1950s, the video maps the artificial geography of a small town, encountering characters from different stories and genres, drawing out overlooked and uncanny links between films shot in the same or neighbouring spaces.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/23838
dc.identifier.urihttps://film-history.org/approaches/backlot-connections
dc.identifier.urihttps://mediarep.org/handle/doc/25709
dc.languageeng
dc.publisherUniversität Bremen
dc.publisher.placeBremen
dc.relation.isPartOfissn:2627-5848
dc.relation.ispartofseriesResearch in Film and History
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectUniversalen
dc.subjectBackloten
dc.subjectProduction Historyen
dc.subjectSmall Townen
dc.subjectMelodramaen
dc.subject.ddcddc:791
dc.subject.personDouglas Sirk
dc.subject.personAlexander Golitzen
dc.subject.personRussell A. Gausman
dc.subject.workALL THAT HEAVEN ALLOWS
dc.subject.workWRITTEN IN THE WIND
dc.subject.workPSYCHO
dc.titleBacklot Connectionsen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticle
local.coverpage2025-04-26T02:32:41
local.source.epage14
local.source.issueTitleVideo essays
local.source.spage1

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