Article: Pop und die Ökonomie des Massenoriginals. Zur symbolischen Form der Globalisierung
dc.creator | Metelmann, Jörg | |
dc.date.accessioned | 2018-10-09T12:16:56Z | |
dc.date.available | 2018-10-09T12:16:56Z | |
dc.date.issued | 2016 | |
dc.identifier.doi | 10.25969/mediarep/1504 | |
dc.identifier.uri | https://www.uni-muenster.de/Ejournals/index.php/pop/article/view/1834/1779 | |
dc.identifier.uri | https://mediarep.org/handle/doc/3816 | |
dc.identifier.urn | urn:nbn:de:101:1-2020052211330075969568 | |
dc.language | deu | |
dc.publisher | transcript | |
dc.publisher.place | Bielefeld | |
dc.relation.isPartOf | issn:2198-0322 | |
dc.relation.ispartofseries | POP. Kultur und Kritik | |
dc.rights | In Copyright | en |
dc.rights.uri | https://rightsstatements.org/vocab/InC/1.0/ | |
dc.subject | Selfie | de |
dc.subject | Konsum | de |
dc.subject | Popkultur | de |
dc.subject | Kopie | de |
dc.subject.ddc | ddc:300 | |
dc.title | Pop und die Ökonomie des Massenoriginals. Zur symbolischen Form der Globalisierung | de |
dc.type | article | |
dc.type.status | publishedVersion | |
dcterms.bibliographicCitation | Metelmann, Jörg (2016): Pop und die Ökonomie des Massenoriginals. Zur symbolischen Form der Globalisierung. In: POP. Kultur und Kritik (8), S. 135–149. DOI: http://dx.doi.org/10.25969/mediarep/1504. | |
dspace.entity.type | Article | en |
local.coverpage | 2021-05-29T05:47:14 | |
local.identifier.firstpublished | urn:nbn:de:101:1-2020052211330075969568 | |
local.source.epage | 149 | |
local.source.issue | 1 | |
local.source.spage | 135 | |
local.source.volume | 5 |
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