Article:
Uncanny sounds and the politics of wonder in Christian Petzold’s ‘Undine’

dc.creatorNguyen, Mai
dc.creatorGreenhill, Pauline
dc.date.accessioned2022-07-12T09:33:12Z
dc.date.available2022-07-12T09:33:12Z
dc.date.issued2022
dc.description.abstractWe examine uses of sound in German director Christian Petzold’s Undine (2020), based on the story of a water sprite who marries a human and acquires a soul. We employ the concepts of ‘acousmatic sound’ and ‘the acousmêtre’ to suggest that the film’s uncanny soundscape invites a mode of listening that challenges and transforms habitual perception. While Undine largely adheres to cinematic realism, its sound design evokes intrusion by the preternatural and fantastical. By auditory allusions to the mysterious and uncanny, Undine asserts the significance of fairy tales and storytelling for perceiving and understanding reality and for imagining alternatives.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18818
dc.identifier.urihttps://necsus-ejms.org/uncanny-sounds-and-the-politics-of-wonder-in-christian-petzolds-undine/
dc.identifier.urihttps://mediarep.org/handle/doc/19968
dc.languageeng
dc.publisherNECS
dc.publisher.place
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS_European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectacousmatic sounden
dc.subjectacousmêtreen
dc.subjectpolitics of wonderen
dc.subject.ddcddc:791
dc.subject.workUNDINE
dc.titleUncanny sounds and the politics of wonder in Christian Petzold’s ‘Undine’en
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-07-12T12:22:08
local.source.epage230
local.source.issue1
local.source.issueTitle#Rumors
local.source.spage211
local.source.volume11
local.subject.gndhttps://d-nb.info/gnd/1245568884
local.subject.wikidatahttps://www.wikidata.org/wiki/Q66442210

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