Repository logo
 

Article:
Praktiken des Inkarnierens Nachstellen, Verkörpern, Einverleiben

Author(s):

Abstract

Just as the theological notion of incarnation, the media-aesthetic term ›embodiment‹ implies a transition from an immaterial principle to something genuinely material. Aesthetic embodiments are increasingly discussed un- der the keyword ›reenactment,‹ which aims to re-experience a historical situation and thus make it more accessible. Reenactments, how- ever, do not have to be bound exclusively to such a logic of identity; instead, they can also produce excessive, hypermimetic effects, as can be shown with reference to the obsession rituals of the Hauka and their cinematic adaptation in Les Maîtres Fous by Jean Rouch.

Download icon

Published in:

Muhle, Maria: Praktiken des Inkarnierens Nachstellen, Verkörpern, Einverleiben. In: ZMK Zeitschrift für Medien- und Kulturforschung, Jg. 8 (2017), Nr. 1, S. 123-137.10.28937/1000107626
Keywords
license icon

As long as there is no further specification, the item is under the following license: Creative Commons - Namensnennung - Nicht kommerziell - Weitergabe unter gleichen Bedingungen