Article:
The film is the museum: Ken Jacobs, Gus Van Sant, Mark Lewis, and Pierre Perrault

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dc.creatorLe Maître, Barbara
dc.date.accessioned2019-08-16T09:19:28Z
dc.date.available2019-08-16T09:19:28Z
dc.date.issued2019
dc.description.abstractIn the last twenty years, the question of the relationship between cinema and the museum has been raised in multiple theoretical and practical contexts. The purpose of this text is in a sense to reverse the way in which the question has been posed by shifting the conversation from the film as object for the museum to that of the film as museum. Taking as a starting point the diversity inherent in institutional museums as well as the constant redefinition of the project which those institutions nonetheless have in common, this essay develops the hypothesis of a delocalisation (accompanied by a reinvention) of most of the functions traditionally associated with the museum. Those functions can now happen elsewhere, as for instance in (and via) a film which can be transformed into an exhibition site or an act of restauration. Ultimately, that which is referred to as ‘curatorial gesture’ encompasses the entirety or part of a necessarily polymorphous curatorial project which is essentially redefined through film.en
dc.identifier.doi10.25969/mediarep/4182
dc.identifier.urihttps://necsus-ejms.org/the-film-is-the-museum-ken-jacobs-gus-van-sant-mark-lewis-and-pierre-perrault/
dc.identifier.urihttps://mediarep.org/handle/doc/4947
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectcultural heritageen
dc.subjectcuratorial gestureen
dc.subjectfilmen
dc.subjectMuseum
dc.subjectKulturerbede
dc.subjectKuratierende
dc.subject.ddcddc:791
dc.subject.personKen Jacobs
dc.subject.personGus Van Sant
dc.subject.personMark Lewis
dc.subject.personPierre Perrault
dc.titleThe film is the museum: Ken Jacobs, Gus Van Sant, Mark Lewis, and Pierre Perraulten
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationBarbara Le Maître: The film is the museum: Ken Jacobs, Gus Van Sant, Mark Lewis, and Pierre Perrault. In: NECSUS. European Journal of Media Studies, Jg. 8 (2019) Nr. 1, S. 15–30. DOI: http://dx.doi.org/10.25969/mediarep/4182.
dspace.entity.typeArticleen
local.coverpage2020-11-22T11:02:18
local.identifier.firstpublishedhttps://necsus-ejms.org/the-film-is-the-museum-ken-jacobs-gus-van-sant-mark-lewis-and-pierre-perrault/
local.source.epage30
local.source.issue1
local.source.spage15
local.source.volume8
local.subject.gndhttps://d-nb.info/gnd/173752772
local.subject.gndhttps://d-nb.info/gnd/119373432
local.subject.gndhttps://d-nb.info/gnd/119395169
local.subject.gndhttps://d-nb.info/gnd/118950304
local.subject.wikidatahttps://www.wikidata.org/wiki/Q325399
local.subject.wikidatahttps://www.wikidata.org/wiki/Q25186
local.subject.wikidatahttps://www.wikidata.org/wiki/Q6768586
local.subject.wikidatahttps://www.wikidata.org/wiki/Q3386563

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