Article:
Film and History: Towards a General Ontology

dc.creatorPaalman, Floris
dc.date.accessioned2021-03-04T14:21:49Z
dc.date.available2021-03-04T14:21:49Z
dc.date.issued2021-01-28
dc.description.abstractIn order to bridge the gap between history and film history as academic disciplines, for both fields to benefit from it, scholars need to draw a theory of the function and position of film in society and develop a general ontology of cinema. A fruitful prospect for such a revisionist endeavour can be found in the emergence of world cinema history that over the last decade has developed as a field in which the social function of cinema is being related to issues of representation while taking economic conditions of production and consumption into account.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15454
dc.identifier.urihttps://film-history.org/issues/text/film-and-history-towards-general-ontology
dc.identifier.urihttps://mediarep.org/handle/doc/16267
dc.languageeng
dc.publisherUniversität Bremen
dc.publisher.placeBremen
dc.relation.isPartOfissn:2627-5848
dc.relation.ispartofseriesResearch in Film and History
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectGeschichtsschreibungde
dc.subjectFilmgeschichtede
dc.subjectOntologiede
dc.subjectecocinemaen
dc.subjectworld cinemaen
dc.subjectinterdisciplinarityen
dc.subject.ddcddc:791
dc.titleFilm and History: Towards a General Ontologyen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-03-16T13:03:30
local.identifier.firstpublishedhttps://film-history.org/issues/text/film-and-history-towards-general-ontology
local.source.epage41
local.source.issue3
local.source.issueTitleSources – Meaning – Experience
local.source.spage1

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