Article:
Blood, sweat, and tears – Bodily inscriptions in contemporary experimental film

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dc.creatorKnowles, Kim
dc.date.accessioned2018-09-26T11:47:33Z
dc.date.available2018-09-26T11:47:33Z
dc.date.issued2013
dc.description.abstractThe contemporary works discussed in this article emerge from a wider desire in experimental film to (re)discover the aesthetic and critical potential of celluloid as it shifts, to employ the terminology coined by Raymond Williams, from the dominant to the residual.en
dc.identifier.doi10.5117/NECSUS2013.2.KNOW
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15100
dc.identifier.urihttps://www.necsus-ejms.org/test/blood-sweat-and-tears-bodily-inscriptions-in-contemporary-experimental-film/
dc.identifier.urihttps://mediarep.org/handle/doc/3283
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectKörperde
dc.subjectExperimentalfilmde
dc.subjectAbfallde
dc.subjectbodyen
dc.subjectexperimentalen
dc.subjectfilmen
dc.subjectwasteen
dc.subject.ddcddc:791
dc.titleBlood, sweat, and tears – Bodily inscriptions in contemporary experimental filmen
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationKnowles, Kim (2013): Blood, sweat, and tears – Bodily inscriptions in contemporary experimental film. In: NECSUS. European Journal of Media Studies 2 (2), 557-463. DOI: https://doi.org/10.5117/NECSUS2013.2.KNOW.
dspace.entity.typeArticleen
local.coverpage2021-05-29T05:20:33
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2013.2.KNOW
local.source.epage463
local.source.issue2
local.source.spage447
local.source.volume2

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