Das narrative Potenzial von Filmmusik. Am Beispiel von Spielbergs JAWS

Article:
Das narrative Potenzial von Filmmusik. Am Beispiel von Spielbergs JAWS

dc.creator	Herrmann, Annika
dc.creator	Scheerer, Katharina
dc.date.accessioned	2025-04-25T09:18:25Z
dc.date.issued	2020
dc.identifier.doi	10.17879/paradigma-2020-5994
dc.identifier.doi	http://dx.doi.org/10.25969/mediarep/23777
dc.identifier.uri	https://www.uni-muenster.de/Ejournals/index.php/paradigma/article/view/5994
dc.identifier.uri	https://mediarep.org/handle/doc/25644
dc.language	deu
dc.publisher	Universität Münster
dc.publisher.place	Münster
dc.relation.isPartOf	issn:2567-1162
dc.relation.ispartofseries	Paradigma
dc.rights.uri	https://creativecommons.org/licenses/by/4.0/
dc.subject	Filmnarratologie	de
dc.subject	Filmmusik	de
dc.subject.ddc	ddc:791
dc.subject.work	DER WEISSE HAI
dc.title	Das narrative Potenzial von Filmmusik. Am Beispiel von Spielbergs JAWS	de
dc.type	article
dc.type.status	publishedVersion
dspace.entity.type	Article
local.coverpage	2025-04-26T02:33:02
local.identifier.firstpublished	https://www.uni-muenster.de/Ejournals/index.php/paradigma/article/view/5994
local.source.epage	32
local.source.issue	3
local.source.issueTitle	Filmnarratologie revisited
local.source.spage	26
local.subject.gnd	https://d-nb.info/gnd/4602474-8
local.subject.wikidata	https://www.wikidata.org/wiki/Q189505

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