Article: Embodied cartographies of the unscene: A feminist approach to (geo)visualising film and television production
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Abstract
As cinema scholars continue turning to cartography and GIS to uncover new dimensions of an old media, they risk repeating the static and top-down approach to maps castigated by feminist and poststructural geographers since the 1990s. Here, I propose that cinematic cartographers strive to bring contradictory positionalities to bear on the cinematic map, a cyborg epistemology that privileges neither the view from above or the view from below. To demonstrate this approach, I detail my own methodology and techniques using GPS tracking and ESRI Story Maps to explore the daily activities of a film location scout in Los Angeles, California.
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