Article:
The Diversity Paradox: Conflicting Demands on Metadata Production in Cultural Heritage Collections

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dc.creatorDahlgren, Anna
dc.creatorHansson, Karin
dc.date.accessioned2024-03-01T11:35:44Z
dc.date.available2024-03-01T11:35:44Z
dc.date.issued2020
dc.description.abstractAt the core of museum practice is the notion of diversity. However, as this analysis of different types of metadata production shows, contra- dictory ideas and ideals pervade both metadata production among information specialists (i.e. archivists, metadata managers, curators working in the heritage institutions), and the systems for, and prac- tices of, participatory metadata production. While the discourse on metadata standards is permeated by ideas of objectivity and interop- erability the field is, in practice, far from coherent, being marked by a great variety as regards templates, formats and vocabularies. Con- versely, the discourse on digital participation in the cultural heritage is permeated with notions of diversity, as means to increase democracy and support variety. In practice, however, the available crowdsourcing platforms are often formulaic offering few possibilities for the crowd to add individual interpretations and their own agenda. This analysis of the practice of producing descriptive metadata reveals the complex, multifaceted implications of notions of diversity for the cultural her- itage. Diversity, meaning great variety, is then not solely a positive end in itself but can in fact hinder the distribution and linkability of information and thereby the creation and building of new knowledge. Likewise, participatory activities where heritage institutions reach out to the crowd do not automatically generate diversity as there is no direct correlation between the magnitude of the group and variabil- ity. To understand this complexity and acknowledge the, sometimes, contradictory demands and effects related to the notion and norms of diversity is at the core of the making and preservation of our cultural heritage.en
dc.identifier.doi10.14361/dcs-2020-0212
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/21897
dc.identifier.urihttps://www.degruyter.com/document/doi/10.14361/dcs-2020-0212/html
dc.identifier.urihttps://mediarep.org/handle/doc/23190
dc.languageeng
dc.publishertranscript
dc.publisher.placeBielefeld
dc.relation.isPartOfissn:2364-2114
dc.relation.ispartofseriesDigital Culture & Society
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectCultural heritage image collectionsen
dc.subjectmuseumsen
dc.subjectmetadataen
dc.subjectmetadata standardsen
dc.subjectparticipatory metadata productionen
dc.subject.ddcddc:700
dc.subject.ddcddc:600
dc.titleThe Diversity Paradox: Conflicting Demands on Metadata Production in Cultural Heritage Collectionsen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticle
local.coverpage2024-03-02T02:45:12
local.source.epage256
local.source.issue2
local.source.issueTitleThe Politics of Metadata
local.source.spage239
local.source.volume6

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6(2) 2020: The Politics of Metadata