Article:
Womanliness as animal masquerade

dc.creatorFreda, Isabelle
dc.date.accessioned2019-01-08T13:24:21Z
dc.date.available2019-01-08T13:24:21Z
dc.date.issued2017
dc.description.abstractThis essay examines the intersection of femininity as masquerade and the status of the animal through an investigation of two examples: the film DONKEY SKIN by Jacques Demy and the web series GREEN PORNO by Isabella Rossellini. In both instances the stars masquerade as both woman and animal, thereby providing an opportunity to critique the position of both as objectified ‘other’ within dominant culture and its philosophical and cultural norms.en
dc.identifier.doi10.25969/mediarep/3405
dc.identifier.urihttps://necsus-ejms.org/womanliness-animal-masquerade/
dc.identifier.urihttps://mediarep.org/handle/doc/4174
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectTierforschungde
dc.subjectDekonstruktionde
dc.subjectMärchende
dc.subjectFeminismusde
dc.subjectanimal studiesen
dc.subjectdeconstructionen
dc.subjectdressen
dc.subjectfairy taleen
dc.subjectfeminist film theoryen
dc.subject.ddcddc:791
dc.titleWomanliness as animal masqueradeen
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationFreda, Isabelle (2017): Womanliness as animal masquerade. In: NECSUS. European Journal of Media Studies 6 (2), 143–158. DOI: http://dx.doi.org/10.25969/mediarep/3405.
dspace.entity.typeArticleen
local.coverpage2020-11-22T11:04:21
local.identifier.firstpublishedhttps://necsus-ejms.org/womanliness-animal-masquerade/
local.source.epage158
local.source.issue2
local.source.spage143
local.source.volume6

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