Article: Word For Word: Encoding, Networking, and Intention
| dc.creator | Minton, Jonathan | |
| dc.date.accessioned | 2022-01-06T13:36:50Z | |
| dc.date.available | 2022-01-06T13:36:50Z | |
| dc.date.issued | 2003 | |
| dc.description.abstract | Is it possible to argue for an underlying "intention" of a networked assembly such as the online literary journal Word For/Word? The very nature of its digital medium invites non-linear, non-sequential readings, thus making it problematic to think of its assembled works only as discrete, autonomous texts. I propose that one way to answer this question is to rethink "intention" in terms of textual encoding. Intention, in this regard, is not a by-product, or end-result, of writing, nor the manifestation of an author's "original" idea, but an always on-going textual drift. My project explores the methods in which JavaScript can clarify this dynamic and seemingly infinite drift of textual intention by encoding and particularizing its recombinant processes. | en |
| dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/17623 | |
| dc.identifier.uri | https://mediarep.org/handle/doc/18578 | |
| dc.language | eng | |
| dc.publisher | Roberto Simanowski | |
| dc.publisher.place | Providence | |
| dc.relation.isPartOf | issn:1617-6901 | |
| dc.relation.ispartofseries | Dichtung Digital. Journal für Kunst und Kultur digitaler Medien | |
| dc.rights | Creative Commons Attribution Share Alike 4.0 Generic | |
| dc.rights.uri | https://creativecommons.org/licenses/by-sa/4.0 | |
| dc.subject | digital literature | en |
| dc.subject | Digital Poetry | en |
| dc.subject.ddc | ddc:791 | |
| dc.title | Word For Word: Encoding, Networking, and Intention | en |
| dc.type | article | |
| dc.type.status | publishedVersion | |
| dspace.entity.type | Article | en |
| local.coverpage | 2022-01-06T14:42:25 | |
| local.source.epage | 8 | |
| local.source.issue | 3 | |
| local.source.issueTitle | Nr. 29 | |
| local.source.spage | 1 | |
| local.source.volume | 5 |
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