Article:
Die Herkunft der Farbe. Film und die Technik der Spur

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dc.creatorHanssen, Eirik Frisvold
dc.date.accessioned2019-02-05T14:36:31Z
dc.date.available2019-02-05T14:36:31Z
dc.date.issued2015
dc.identifier.doi10.25969/mediarep/3504
dc.identifier.urihttps://mediarep.org/handle/doc/4244
dc.identifier.urihttps://www.montage-av.de/pdf/2015_24_1_MontageAV/montage_AV_24_1_2015_127-144_Hanssen_Die_Herkunft_der_Farbe.pdf
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:0942-4954
dc.relation.ispartofseriesmontage AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subjectFilmästhetikde
dc.subjectFilmfarbede
dc.subjectFilmproduktionde
dc.subjectKolorierungde
dc.subjectSemiotikde
dc.subject.ddcddc:791
dc.subject.personJacques Demy
dc.subject.personMohsen Makhmalbaf
dc.subject.personIngmar Bergman
dc.subject.personAlfred Hitchcock
dc.subject.personLucien Castaing-Taylor
dc.subject.workLES DEMOISELLES DE ROCHEFORT
dc.subject.workDIE MÄDCHEN VON ROCHEFORT
dc.subject.workGABBEH
dc.subject.workPASSION
dc.subject.workVERTIGO
dc.subject.workVERTIGO – AUS DEM REICH DER TOTEN
dc.subject.workLEVIATHAN
dc.titleDie Herkunft der Farbe. Film und die Technik der Spurde
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationHanssen, Eirik Frisvold (2015): Die Herkunft der Farbe. Film und die Technik der Spur. In: montage AV 24 (1), 127–144. DOI: http://dx.doi.org/10.25969/mediarep/3504.
dspace.entity.typeArticleen
local.coverpage2021-05-29T04:46:18
local.identifier.firstpublishedhttps://www.montage-av.de/pdf/2015_24_1_MontageAV/montage_AV_24_1_2015_127-144_Hanssen_Die_Herkunft_der_Farbe.pdf
local.source.epage144
local.source.issue1
local.source.spage127
local.source.volume24
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local.subject.gndhttps://d-nb.info/gnd/118551647
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24/1/2015 Roland Barthes