Article: Das Théâtre Robert-Houdin (1845-1925). Eine Megamakroepoche und die Selbstbeschreibung der Gesellschaft
dc.creator | Méliès, Georges | |
dc.date.accessioned | 2022-06-21T08:44:52Z | |
dc.date.available | 2022-06-21T08:44:52Z | |
dc.date.issued | 2014 | |
dc.identifier.doi | 10.28937/1000106418 | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/18599 | |
dc.identifier.uri | https://meiner.de/artikel/1000106418 | |
dc.identifier.uri | https://mediarep.org/handle/doc/19734 | |
dc.language | deu | |
dc.publisher | Felix Meiner | |
dc.publisher.place | Hamburg | |
dc.relation.isPartOf | issn:1869-1366 | |
dc.relation.ispartofseries | ZMK Zeitschrift für Medien- und Kulturforschung | |
dc.rights | Creative Commons Attribution Non Commercial Share Alike 3.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-sa/3.0 | |
dc.subject | Illusionismus | de |
dc.subject.ddc | ddc:700 | |
dc.subject.person | Jean-Eugène Robert-Houdin | |
dc.title | Das Théâtre Robert-Houdin (1845-1925). Eine Megamakroepoche und die Selbstbeschreibung der Gesellschaft | de |
dc.type | article | |
dc.type.status | publishedVersion | |
dspace.entity.type | Article | en |
local.coverpage | 2022-06-21T11:02:13 | |
local.source.epage | 258 | |
local.source.issue | 2 | |
local.source.issueTitle | Synchronisation | |
local.source.spage | 247 | |
local.source.volume | 5 | |
local.subject.gnd | https://d-nb.info/gnd/118601512 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q379773 |
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